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This is a critical cultural primer, which can be used for
undergraduate level study and above to introduce and orientate
students to contemporary image cultures. A knowledge and
understandings of recent developments in image technologies is
central to all students engaged in art, cultural and media studies,
whether academically or practically. A 'standout' book defining a
new approach to thinking about how images function in networked
cultures. Based on work by scholars from The Centre for the Study
of the Networked Image at London South Bank University, this is a
coherent and consistent volume.
This is a critical cultural primer, which can be used for
undergraduate level study and above to introduce and orientate
students to contemporary image cultures. A knowledge and
understandings of recent developments in image technologies is
central to all students engaged in art, cultural and media studies,
whether academically or practically. A 'standout' book defining a
new approach to thinking about how images function in networked
cultures. Based on work by scholars from The Centre for the Study
of the Networked Image at London South Bank University, this is a
coherent and consistent volume.
Adrian Sauer (*1976) explores the nature of photography, occupying
himself with the current state of the medium in pictures,
self-written programs, texts, and installations. In his artistic
work, he examines the functionality and pitfalls of photography and
questions its big promise of being a reliable, objective
reproduction of reality. His new book of works brings together
“photo works” of the past ten years and simultaneously provides
insights into the migration to digital photography and the new
possibilities for showing and seeing that arise from it. Text in
English and German.
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